The Mystery of Poppy

3.03.2018

Words and photos by Georgia Hickam

“I’m Poppy,” says Poppy. In one of her hundreds of videos on YouTube with 235 million total views, Poppy repeats those two words in childlike monotone for 10 minutes. Poppy and her art and video director, Titanic Sinclair, performed at the Granada as part of her Poppy.Computer tour on Sunday night. She invited all her “Poppy Seeds” to join her in her pastel parallel universe.

The stage screens read “initiating” as Titanic Sinclair, wearing a pink jumpsuit, drank from a pitcher of Kool-Aid and passed around more of the pink liquid to the audience. Though she claims to not be the leader of a cult, Poppy encouraged her followers to prove their love for her by literally “drinking the Kool-aid”, chanting her songs, and endorsing products she claims are her favorite, like Doritos and Monster Energy Drinks.
Wearing her signature long platinum blonde hair and dressed in a tutu and purple dress, Poppy sang songs about falling in love with a computer (Computer Boy), saying “hello” and “goodbye” online (Moshi Moshi), about losing her microphone (Microphone), and making a video (Let’s Make a Video).
Poppy’s songs are intentionally repetitive, simplistic, and empty, and I have become shamefully obsessed with the purest form of bubblegum pop imaginable.
Titanic Sinclair and Poppy’s mission seems to be satirical performance art commenting on how easy it is to become famous in a digital age. They openly mock and copy the things celebrities do to become famous, and Poppy is succeeding in becoming famous for it.
Who is Poppy? Is she real? Is she a robot? Poppy is mysterious. Poppy is abstract. Poppy is and isn’t. All I know is I am fascinated by someone I know nothing about, who might not even exist at all.

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